Into the Marsh

There was mud on Clara’s ankles snaking its way up to her calves. It seeped, squelched between her toes as she walked further into the marsh, Back there, where the grasses grew in bursts like the clouds in the June sky, she had lost one shoe then the other.

At the loss of the first shoe she’d cursed, delved both hands into the oozing mud and tried to locate what she knew was lost. Lost, buried beneath the dirt. Then she’d looked up at the sky and sobbed, watching the birds gliding above become blurry through her tears. The second time came just a few steps later after she’d wiped her snot away with the back of her hand. She’d felt the familiar pull down, down into the earth and simply kept walking, the shoe slipping off, a lover’s silk nightgown. 

The grasses began to graze her thighs beneath her white shift. They whispered against her skin in the same way Martha’s hands had when she was untying Clara’s bootlaces. Martha, the hushed voices of the grasses breathed through the dusk. Water began to spring up between her toes with each step. Soon the water plastered her dress against her legs, then her waist, then her shoulders. 

The marsh birds scattered from the trees as she submerged herself in the waters. It felt like puncturing a cake with birthday candles, breaking through the waters. They presented her to the sliver of moon that hung in the sky on a watery plate. On her back she could see the water-drawn insects flitting in and out of vision, could watch the birds return home with their treasures of twigs clasped in their beaks, could feel the weight of the swelling horizon. 

The reeds from the depths ran their fingers through her hair in a way she had missed since Martha’s departure. Every other Friday Martha went to her dad’s in the city. Clara watched as she stuffed things into her backpack pausing intermittently to kiss her softly on the forehead. Those days she felt like the lovelorn tide that lapped against the sand, desperate for the most momentary of touches. Today was Saturday evening. Martha would be back tomorrow with stories of her city friends, her vibrant words pooling honey in Clara’s ears. 

On these waters where they had skipped stones, where they had dipped their toes in from the wooden path, where the water still tasted of the sweat of Martha’s skin, they were closer. And as her tears slid down Clara’s face they chimed as they joined the pools around her.

The book she’d tucked under her arm floated on the surface like a body. To Clara, and Love Martha, scrawled on the front page. She’d come here to read in the company of the marsh birds. It was the only way to pass the time when Martha was away. Each page flaked away a few moments of absence. Every time the book bobbed on the surface it reminded her of what she’d seen.

To Clara. Love Martha. 

She had taken the board path to get to the marsh. Book tucked under her arm, her shoes clicked against the wooden slats. Above her the marsh birds shrieked as they circled. Reeds lined each side of the path, fluttering in the breeze. They grew taller the further into the marsh she went, until she was dwarfed by them. For a second they parted, and there, beneath the weeping willow, she stood. Martha. 

She was with a boy from their school, the year above. He had her black hair in a fistful in his hand. Their mouths were joined, open, searching. Against the tree she tilted her neck to the side in a fashion that made bile sting in Clara’s throat. His hands were blindly upon her, rough like he was separating dirty laundry. The reeds closed again.  

Love Martha.

And now Clara was in the water.

The sounds of the birds overhead morphed into Martha’s laugh, the rustling grasses into her soft voice, the flowing reeds into her fingers. The book splayed apart on the water’s surface. The ink of the first page was running into the waters of the marsh. The word Martha was bleeding. Clara reached listlessly for it. She needed to read it once more, hold onto the the drawn-out vowels for a second longer. She needed one more moment of embrace. The marsh birds cried out as she turned onto her stomach, submerged her face into the rippling water. 

The reeds wove around her, twining like ribbons. They pulled her in. Into her arms.

Mirror Mirror

I stand myself forcing to stay
still, and think of you
I’ve seen the end of us
I impose to my mind the craving of your
attention, as you are more than a friend
you are an excuse
a distraction

Go on, say goodbye
to the one that i love,
here

Pretend that i love you more
than i tolerate you
even more so than i can tolerate myself
without anyone,
seeing the pain in my eyes when
I’m next to you.
without witnesses

As when you look at me,
you can only be your own
reflection.

Pockets

By John Oberholzer
Women’s History Month Prose Winner

What’s in your pockets right now? Have a feel, pat them down.

Somewhere in the world, not far from you; a man is walking down the street. He’s on his way to meet a girl he found on tinder last week. There’s a wallet in his pocket. Inside it is a provisional driver’s licence, his older brother’s Tesco club card, his credit card (which is maxed out) and of course, a condom. It’s expired. Did you know they could do that? He stole it from a PSHCE lesson in year nine. It has sat in his wallet proudly, ever since. It has been removed from his wallet only a number of times. It shows its colourful red face and says quietly “I am prepared. I am safe.” But never once has it protected anyone. The token condom burns his pockets, filling his chest with a nervous buzz.

Across the street from him is a woman, strolling briskly home. She doesn’t have any pockets. She has her hand in her bag, clutching tightly her phone. She doesn’t have any pockets because it makes her more dependent, more vulnerable, more alone. In her bag she has lipstick, Vaseline, a handheld portable mirror and spare pads just in case. Beneath her phone, kissing the back of her hand, is a bottle of mace.
They pass each other, glancing briefly. The woman’s eyes widen. The man’s brows tighten. Thank god on this day, they are two ships passing.

To Madam Naidu

By Shamik Banerjee
Women’s History Month Poetry Winner

From archives of Indian poetry,
Your Palanquin, sweet accent to me bore,
of strong-led womanhood, Your verse taught me,
of such august life I knew not before.
Valorous daughter of my motherland,
Your enthronement, had all diverseness eased,
Your governance- the first feminine stand,
had women from their impoundment released.
Whether the Dandi March or prison cell,
or repression the British did compel,
none could forfare Your orped Nightangle’s flight,
nor diminish Your literature’s light,
of which, history is enough to tell,
and hearts of your worshippers where you dwell.

About the poem: This Sonnet is dedicated to Sarojini Naidu who was a poet and a freedom fighter during the British rule in India. She was the first female ever to have been elected the governor of a state. She was an upfront feminist and had taken all measures to break the servitude women were oppressed by. She was the chief person to abolish societal differences that existed between different
genders, castes, creeds and other divisions.She had written numerous poems and due to her achievements in the field of lyric poetry, she had earned the sobriquet ‘The Nightingale of India’. One of her very renowned poems, The Palanquin Bearers, has been referenced in this sonnet. She had actively participated in the Salt March (the Dandi March) due to which, had faced incarceration by the British. She had received the fellowship of Royal Society of Literature and had her work published in many journals and famous publications of that period. She is not only observed as the eminence of English Poetry in India but also as a key revolutions of the feminist movement in India and a devoted freedom fighter.

Massachusetts Reflection

As I sit in a new place surrounded by new people, sounds, and feelings, I must thank whoever or whatever brought me here. I am in love with the opportunities in front of us. I will be able to be happy in my career and be able to expand my life in positive ways. My boyfriend will be able to grow even more than me: finishing his degree and beginning to explore what he would love to do for the rest of his life. Whether it be a teacher, politician, or garbage man, if he is happy, so am I. 

Here in Massachusetts, among the colonial houses, narrow roads, fast paced everything, and misty morning springs, I know this is not permanent, but I am happy. Content with the distance, passionate about discovering new places, food, and experiences. This is our chance to start everything over, rebuild ourselves to be better people, and have a great experience. No more hiding, no more tears, no more misery. 

This is a great place to be. 

***

In 2016, I wrote that first part shortly after moving across the country. My boyfriend (now husband), our cat, and I drove over 2,000 miles (3200 km) for my new job. I was overwhelmed with excitement and possibility because I escaped what I thought was the worst job I ever had. 

We enjoyed the beaches, got somewhat used to the humidity, took in the history of an early colony, and grew up a lot. I am still thankful for the beautiful summer moments and people still in my life.

But work turned after a while, and this opportunity became the worst one I had ever taken. It ate up everything I ever had. Depression is not the best mental health condition to battle when you need to get out of a horrible situation. I will not dwell here because it still hurts in many ways. 

Now, we are back in Colorado. We have been for almost five years. We were married a few weeks before I resigned from my position in Massachusetts. We struggled a lot in those first few months. But we found careers and grew into thirty year old adults. 

I have a good job, great bosses, understanding coworkers, and a good system behind me. But now I am watching my husband going through similar downs that I had before returning to the Rocky Mountains. It is painful to see him hurt and struggle through a battle everyday. 

I don’t have the solution to fix it. But I know how it feels to realize the fight is over (truly exhilarating if you have been fortunate enough to not go through these highs and lows).  

Here are some other things I know:

  • Never be afraid to leave, regardless of what it is. If it isn’t giving you happiness, it isn’t worth the time, effort, etc.
  • If you do get happiness from something, never give up on it. But don’t put all your eggs in one basket. Find multiple places to pull happiness from. If one must go for you to grow, the other things will help.
  • Change happens. Growth happens. Highs happen. Lows happen. All are needed to make us better people. Reflect on where you were and where you are as much as possible. This will only help the lessons you learned bloom. 
  • True happiness never comes easy. 
  • Starting over doesn’t really exist. We always have the scars, and they don’t leave us. Start new, but respect your past self and find ways to improve your now. 

This isn’t our final wave of down or bad. Nor does the incoming chapter have all the solutions of life and happiness. I wish my 2016 self knew this. But my 2023 self knows that first breath after realizing we are in a new chapter will be oh so sweet, whether our toes are in the beach sand or dangling on top of a mountain. Growth, change, and happiness are all happening right now. And right now is a great place to be. 

Act 1: The Banker’s Dispute With Laura

The Banker:

petunias floating in a molten river of
pennies, what makes up simple
blood & bones, the killers

waiting for a beggar’s ragdoll
between the emaciated fringes carving out
Fifth Avenue — & what now? Will Laura

surrender all worldly oysters to be wrapped
in a navy apron (out of sight, out of mind)
on the prowl for spare change, release

the neon butterflies
back into my murky shipyards? I know
that the human condition is more than

rice bowls & plastic alchemy, that it, too,
craves flowers to graze on, but even then,
Laura, these cities can only be fed by clouds.

Love in Literature

This is a compilation of our “Love in Literature” themed week here at SeaGlass.

The world of writing is bound up in the world of the living. We pour our lives into our art and the stories we tell hold the deepest parts of ourselves in them. The most impactful of these stories reflect our world, show us into the depths of ourselves, and reveal emotion we can barely articulate. Love is one such emotion, possibly the beginning of them all when written right, and can evoke the most passionate or heart-wrenching story. 

We will be looking at all the different types of love in literature. How is it portrayed? Why does it grasp people’s attention? What can you do to write great love in your stories? This will divide the who, what, where, when, why, and how of writing love into stories and the different types of written love. What kinds of love do you find in stories? 

First, an exercise: We want you to think of the most famous love story. Why do you think it is that famous? Why has it stayed in the hearts of people for so long? And next, think of your favorite love story. What is similar or different about them? How do the authors of each approach the subject of love? Keep this story in mind as you read.

Photo by Mayur Gala on Unsplash

The Seven Types of Love (Thank you to the Greeks)

There are 7 types of love found in literature terms: Eros, Philia, Storge, Agape, Ludus, Pragma, and Philautia. Taken from Greek, these seven terms represent the different types of love found in the stories we read and watch. More than one can be in a story at a time and these categories are fluid with each other. This breakdown of the different kinds of love will help you to better understand how the love in your story works in relation to the plot and characters. 

Eros

‘erotic or passionate love’

Also referred to as life energy. It is where we get the word ‘erotic’ in the English language. Eros is thought of as sensual or passionate love and is often expressed as physical love between people.

 Examples in literature: Romeo and Juliet

Philia

‘Affectionate or friendship love’

Most commonly portrayed as between friends and family. This is love without romantic attraction or an equal love. In terms of a romantic relationship, those cannot be sustained on just eros. Plato argued that Philia is the best version of love because friendship can lead and create a solid foundation to romantic love. 

Examples in literature: The One and Only Ivan, Piecing Me Together, Pride and Prejudice

Storge

‘familial love’

While having elements of Philia love this is more the bond between parent and child. An unconditional, protective love that can be more one-sided and require sacrifice. Is sometimes seen as ‘natural’ or ‘instinctual’

Examples in literature: Little Women, The Inexplicable Logic of My Life, Pachinko

Ludus

‘flirtatious or playful love’

Having a light hearted quality. Think of the honeymoon phase of a relationship in its undemanding nature. As easy as laughter between two people or games to keep each person on their toes. 

Examples in literature: Pride and Prejudice, Gentleman Prefer Blondes

Pragma

‘committed love’

Long-term, committed love. It is endurance, companionship, and sharing of a life. Includes family, friends, loved ones. 

Examples in literature: Pachinko, Washington Square

Agape

‘universal love’

A deep, selfless love for others and the world. This can be toward religious figures, nature, and strangers. As with others this has nothing to do with a personal bond and some refer to it as a spiritual love. 

Examples in literature: A Psalm for the Wild-Built, If Cats Disappeared From the World, Lord of the Rings

Philautia

‘self-love’

Self-compassion. Self-esteem. Refers to how a person views themselves, both body and mind. Sometimes the most challenging to people.

Examples in literature: Becoming, The Magic Fish, Jane Eyre 

Six Writing Prompts to Master Love

Now that we know what kinds of love can be found. Let’s dive into ways we can write love in our own stories. Here are six writing prompts.

  1. Write about a character who risks everything to pursue their heart’s desires.
  2. Two siblings have a huge fight. One of them says something so hurtful, the other wonders if they’ll ever speak again. How do they make up? 
  3. Think of a famous love story. Rewrite it in a different universe, time period, or setting.
  4. Tell a love story solely through love letters. 
  5. Write about a character who risks everything to pursue their heart’s desires.
  6. How does love help people get through difficult times in their life? 

Take some time and see what happens. Is there one type of love that fits better in a certain type of story? 

Photo by Aaron Burden on Unsplash

Book Recommendations and a Word from Ocean Vuong

Now that we’ve learned the types of love and have dived into writing it ourselves, let’s take a look at books that further our love on the brain’s agenda. We also have a variety of short stories, poems, and flash fiction on our website. Check it out and get inspiration from our amazing staff writers.

  • If you’re learning to love to write, we recommend looking at The Situation and the Story by Vivian Gornick and Why I Write by George Orwell.
  • If you want friendship that pulls on the heartstrings, we recommend The Elegance of the Hedgehog by Muriel Barbury and When You Were Everything by Ashley Woodfolk.
  • If you want to fall in love with the world, read The Anthropocene Reviewed by John Green and If Cats Disappeared from the World by Genki Kawamura.
  • If you want to feel the love in families read Pachinko by Min Jin Lee and All That She Carried: The Journey of Ashley’s Sack, a Black Family Keepsake by Tiya Alicia Miles.
  • And lastly, if you want love with a hint of obsession read Romeo and Juliet by William Shakespeare and Rebecca by Daphne du Maurier. 

An Outside Word

Another fabulous resource is an article from the LARB, or Los Angeles Review of Books with Ocean Vuong and Viet Thanh Nguyen.

“I think why I fell in love with poetry was that it allowed freedom in articulation. And so, what does it mean when a poem ends without a period? What does that mean for the voice? Was it cut off? Was it unfinished? All of a sudden, the removal of punctuation adds those questions, amplifies those concerns. I believe in one of Whitman’s versions of Leaves of Grass, after “Song of Myself,” he left out the period by accident. I thought that was the best version, because it ends with, “I stop somewhere waiting for you,” with no period. I have to participate in that perioding. I think formal manipulations add meaning the way body adds meaning, the way we sit, the way we talk, our voice, all those pressures are also language.

The way you touch someone, the pressure of the hand on the skin, that’s language. We all know that. I think that, when the poem starts to investigate form — and break form, redefine form — it’s a radical act of reinvention and articulating beyond language. Think of Dickinson, her famous slashes, the dashes. For me, in the context of a patriarchal structure, where all the men around her at that time were silencing her, rejecting her voice and imagination, what does the dash mean? It’s this moment of visceral response, when language is not enough, I have this. This is my attempt to keep speaking. I think she had to knife the page in order to speak again on the left margin. When we look at this form, everything matters. Everything matters about it, and I think poetry allows for that space for me.” 

The Antithesis to Love (Or is it?)

Finally, to end our ‘Love in Literature’ week. We bring you “Hate Poem” by Julie Sheehan. Hate and love are often thought of as two edges of the same sword as they demand intense emotion and this poem illustrates that perfectly. According to Sheehan, she began the poem with the line, “I love you truly” and later switched ‘love’ to ‘hate’. Does this change the way you read the poem? Try channeling each emotion and see the way your writing changes, or stays the same. 

Hate Poem 

By Julie Sheehan

I hate you truly. Truly I do.

Everything about me hates everything about you.

The flick of my wrist hates you.

The way I hold my pencil hates you.

The sound made by my tiniest bones were they trapped in the jaws of a moray eel hates you.

Each corpuscle singing in its capillary hates you.

Look out! Fore! I hate you.

The little blue-green speck of sock lint I’m trying to dig from under my third toenail, left foot, hates you.

The history of this keychain hates you.

My sigh in the background as you pick out the cashews hates you.

The goldfish of my genius hates you.

My aorta hates you. Also my ancestors.

A closed window is both a closed window and an obvious symbol of how I hate you.

My voice curt as a hairshirt: hate.

My hesitation when you invite me for a drive: hate.

My pleasant “good morning”: hate.

You know how when I’m sleepy I nuzzle my head under your arm? Hate.

The whites of my target-eyes articulate hate. My wit practices it.

My breasts relaxing in their holster from morning to night hate you.

Layers of hate, a parfait.

Hours after our latest row, brandishing the sharp glee of hate,

I dissect you cell by cell, so that I might hate each one individually and at leisure.

My lungs, duplicitous twins, expand with the utter validity of my hate, which can never have enough of you,

Breathlessly, like two idealists in a broken submarine.

The Time Machine

“No, you can’t, it’s against the law!” I struggle against the fairies dragging me along, big burly ones too.

“Yes we can sweetheart,” the female one says in a sickly sweet voice. “Article 23 of the new constitution never specifies the use of children in time travel.”
I continue struggling, new constitution be damned. Fairies and their stupid loopholes.

Eventually they drag me through another sparkling clean hallway that smells like listerine and into a spacious, equally white, room.

He’s waiting.

“Good afternoon elf.” He smirks, then waves a piece of paper in my face. “You’ll notice I took care to get a guarantee that this operation wouldn’t be disturbed. But just in case that gold disappears a little too quickly,” he shrugs, “no one will be able to find it.”

I’m still struggling. “I didn’t do anything wrong!”

“You’re right, you were just in the wrong place at the wrong time. This way please.” He gestures to the boxy structure beside him and the fairies drag me closer.

I catch a whiff of a metallic smell and see his name tag: Dr. Schultz.

That same metallic smell radiates from the structure. I know what it is: fairy magic.

“Ready?” Dr. Schultz asks.

“No!” I yell. “Why would you send some kid back? It’s not like I started this stupid war!”

“Not unless you do your job right.”

“What?”

He just smiles. “Good luck!”

The fairies shove me inside the structure and close the door loudly.

I look around. The walls shimmer and the metallic smell is so powerful I gag and cover my mouth and nose.

Then the noise starts:

Whir whir POP, whir whir POP.

Uh oh.

I’ve never actually been in one, but I’ve heard all about these. They’re technically illegal but if those fairies have figured out a loophole to use a teenager in a science experiment, they’ve found a loophole for this.

Those stars-forsaken fairies have used their magic to build a time machine.

I’m in big trouble.

Whir whir POP, whir whir POP.

Dr. Schultz is waiting exactly where I left him. He grins at me. “You did it.”

“You know it took me years to figure out what you meant,” I say.

“I knew you would eventually.” He tilts his head to the side. “So you know why the war had to be fought?”

“It didn’t have to be fought,” I growl. “You set me up.”

“Ah, but I was meant to,” he says, the grin growing larger. “Once I had decided I would create this, I couldn’t stop it.”

“You always could have stopped it. And you didn’t have to send the first kid you found to do your dirty work for you.”

“But I did. I couldn’t just send myself. I had to remain here with the machine.”

I stare at him for a beat. “You were a lot less calculating back then.”

“I’m sure I was.” He stares at the machine behind me for several seconds before saying, “It really is perfect isn’t it?”

“It’s nice to know the ego didn’t go away.” I step out of the cursed machine and begin to walk out of the room. “I trust you won’t get fairies to drag me out as well?”

“I don’t think I’ll need to, will I?”

I shake my head without looking back. Halfway down the hall an explosion rattles the building. I can’t help the laugh that escapes me as I run the rest of the way to the door of the lab and look out, knowing what I’ll see.

Because of course I should’ve known.

No one can change the past, not if they were a part of it all along.

Corner Conversation

Lex huffed. She told herself not to go, but her best friend, Savannah, had convinced her to go. Parties just weren’t her style, and like every other time Savannah had disappeared with some guy as soon as they arrived, leaving Lex standing awkwardly in a corner. All by herself no less, everything about the situation screamed loser. It wouldn’t matter, though, most everyone would be so hammered by the end of the night that they wouldn’t remember what they did, let alone what Lex didn’t do.  

“Having fun?”  Lex looked up from her phone to see who had talked to her. It was rather dark in the corner so she couldn’t make out the face of who she was talking to. She stood from the bean bag chair she had been sulking on.

“Oh ya, loads of fun,” She said sarcastically. She could tell the person she was talking to was male and that he had smiled at her remark. “Have you seen Savannah Hartford recently?”

“I saw her about half an hour ago, she and a few other people were playing spin the bottle,” He answered. “Is something wrong with the party?”

Lex shrugged. “It’s not really my scene. To tell you the truth it’s probably one of the more boring I’ve been to all year.” Lex didn’t know why she was telling this guy this. She was just so irritated at her friend and at least he was talking to her for the moment. She might as well get out all her words while someone was listening to her.

“What? It’s not a good party unless someone falls off the roof?” He teased her. She smiled and laughed a little.

“Were you there the night when Tommy Renders fell?” She asked slightly, pointing at him. She saw him shake his head. “Well, I was. I was sitting on the porch, minding my own business when Savanah called me over to the pool. I had just gotten over there when Tommy yelled ‘cannonball’ and he jumped…”

“Right onto the pavement,” He finishes her sentence chuckling.

“He landed almost on top of me!” Lex said with a laugh. “But to answer your question, yes. I do think someone falling off the roof would add to the entertainment. It would also give me an excuse for Savannah and I to leave.” Before he could answer Savannah stumbled through the door and headed over to Lex.

“Lex, you’ll never who I got for spin the bottle,” She began, but she stopped when she saw who Lex had been talking to. “Hey,” Savannah said coldly to the guy. He nodded at her.

“When you said Savannah, I didn’t know you meant her,” He said to Lex.

“Nice to see you too, Oliver,” Savannah said.

“How did you even get in here?” He asked.

“Wait, you guys know each other?” Lex asked, looking between the two.

“Ya, we do,” Savannah answered. “Oliver was the jerk from second period that tried to put the half dissected frog in my backpack,” Lex spun her head around to look at Oliver.

“You’re that Oliver?” She asked.

“I thought it’d be funny.” He shrugged. Lex squinted at his response. “And again, how did you even get in here? I made sure not to invite you.” Savannah opened mouth, but Lex held up her hand to stop her.

“Wait,” Lex said, “You’re the host?” She asked, pointing at Oliver. He nodded and Lex put her hand down. “Well, now I’m just embarrassed.” Savanah ignored her friend’s statement, electing to ask her about it later.

“Word gets around, and if you were a good host then you would’ve greeted me at the door,” Savannah returned. Oliver scoffed at her.

“If you were a good person then you wouldn’t have shown up in the first place,” Oliver shot back. Lex rolled her eyes at their petty argument, ignoring her embarrassment from a few minutes ago.

“I get it, you two don’t like each other. Can we leave now?” Lex asked her friend. Oliver answered before Savannah had a chance to.

“If Savanah was really your friend she never would’ve brought you here,” He said to Lex. She raised her eyebrows.

“And if you were a decent person we wouldn’t be having this conversation,” Lex said back. “I’m going out to the car, come whenever you are done arguing with this child.”

“Child!” Oliver exclaimed. “She started it.”

“Exactly my point. Have a nice night.” Lex raised her hand in mock goodbye, but Oliver moved toward her.

“We’re done, I promise.” He smiled innocently at her.  

Savannah scoffed and rolled her eyes. “I’m going back outside, Lex. Let me know if you need anything.” Savannah spun on her heel and took a long drink before walking through a doorway and out of view.

“Did you need something?” Lex asked.

Oliver offered his hand to her. “Would you like a tour of the grounds milady?” He said in a bad English accent. Lex narrowed her eyes while fighting a grin. “I promise we won’t go anywhere near the roof.”

Lex rolled her eyes as she took his hand. “As long as the tour stops by the kitchen, I heard there was pizza.”

Oliver pulled her hand until it was resting in the crook of his elbow. “Whatever will make the lady happiest.”

Lex smiled. Maybe this party wasn’t as bad as she thought.

Fight

There are three reasons I don’t fight demons: they’re rich, they’re arrogant, and they always, always cheat. Without fail. 

“Lyric,” says a voice behind me. I pause and then resume putting one foot in front of the other.

“What’s the bet on me today?” 

“Thirty gold. And a few silvers thrown in by the more hesitant bidders.”

I roll my eyes. “Am I allowed weapons?”

“No physical weapons, but magic is allowed.” 

Of course a demon would want to use magic. “What’s up with this one? Needs a reality check?”

A pale form comes even with me, matching my stride. “More like an ego boost. Falling from favor with your social circle must be a huge blow.” Sora can’t withhold their sarcasm and their voice practically drips with it.

“Oh well, what can they do but go fight in thieves’ circles when they need to release their emotions,” I sigh, pretending to be serious. My face gives me away.

“Why’d you agree to fight it this time?” they ask me. 

I shrug, trying to be nonchalant. If Sora realizes there’s more to it they don’t press. Instead they run a barely visible hand through their barely visible hair.

“Don’t tell me you’re worried about my odds?” I glance over at them in time to catch a concerned expression.

“More like worried about your change in standards. You know Stefan would have taken it in a heartbeat.”

“Well there’s someone who needs an ego check,” I say, avoiding their question.

“Yes, I suppose so…”

Before they can take another step, I whirl and grab hold of Sora’s hand. I’m always surprised how solid it is despite its see-through appearance. “Cut to the important stuff. What am I getting into?”

They glare at me for a full two seconds before giving in. “This one’s royalty.”

I let go. “Of course it is.” So it’s super rich, super arrogant, and will cheat more than play by any kind of rules.

“Not super high up. Some offspring of a cousin of the king’s. But still. Royalty.” A pause. “You picked a great time to switch tactics.”

I don’t answer and we continue walking down the corridor. The thieves guild is a large building, all gothic stone structure and spades carved everywhere. Somehow the architect managed to make it look larger on the inside than outside. Perfect for those who want to avoid the law. As much as the decree of a bunch of wealthy, egotistical cheaters can count as the law. 

The closer we get to the center of the building the more black-cloaked figures we pass and the more Sora inches closer to me. Just because no one else can see the spirit doesn’t mean they wouldn’t be able to feel them. “You’re gonna have to stop haunting me for at least thirty minutes,” I mutter under my breath.

“It is so cramped in there Lyric I swear to our stupid demon leaders―” 

I grip the pendant at my neck, whisper a few words in demonic, and Sora is out of sight.

Then, without anyone’s presence to chide me for my hypocrisy, I whisper a few words of prayer. Sure I don’t fight demons because they’re horrible. But I also never lose, and you never know exactly what combination of awfulness you’re going to get with those things.

Especially not me.

My footsteps carry me deeper into the building until finally I emerge into the beating heart of the place. A large ring is barely visible through the crowds of people in the center of a cavernous room, complete with gilded domed ceiling, tiled floors, and pillars lining the walls. Instead of fencing around the edge of the circle of sand there is simply a shimmer to the air around it. This will be a magic fight, so therefore the magic must be contained. 

“This is such a bad idea,” I mutter to myself, pushing through the throng, head down so as not to attract too much attention before the fight.

Finally I make it to the edge of the flickering barrier, where Kodiak is waiting by his huge bracket, which sits on an easel beside him. In one hand is a piece of chalk and in the other is a sack which he holds up when he catches a glimpse of me. “Could be all yours in a matter of minutes,” he grins. “Unless, of course, it wins.”

“It’s not going to win,” I say through clenched teeth. 

“Of course not.” Kodiak gestures with the money bag arm towards the ring. “Whenever you’re ready.”

I walk through the barrier, feeling a tingling sensation as I do. When I reach the center of the ring my hands dart to my sides to check for weapons that aren’t there, leaving me feeling uncomfortably exposed. Then, having nothing else to do to ignore the stares and chatter coming from around me, I flick sparks between my fingers, the only sign of any anxiety about the upcoming fight.

I don’t even have to look to know when the demon enters the room. Instantly, any conversation is halted and everyone goes still. It’s been ten years and still no one quite knows how to react among demons. Not that anyone did much to stop them from ruling us.

The demon crosses the barrier and comes to a stop in front of me. Finally, I look up and look it in the eye. It stares back in challenge.

One of the things that makes demons so terrifying is how similar they look to humans. You might never know you were dealing with one until it decided to tell you. This one is dressed all in black, dark hair slicked back and a glint in its eyes. 

“What are you here to fight for?” I ask, letting a sneer come into my voice. “I thought demons were supposed to be all high and mighty.”

The demon stares back haughtily. Then it tilts its head to the side, eyes on Sora’s pendant. “I thought you were supposed to be too.”

I step back slightly, eyes widening. “How do you―”

Instead of an answer I get a punch to the gut. Suddenly feeling like spitting fire, I dodge its next attack and return the punch. My fist collides with something much harder than flesh and I fight the urge to roll my eyes. There goes the no armor rule. In any case, I’m surprised the demon didn’t begin with a spell, but I’m not about to provoke it with one of my own.

It grunts slightly and before I know it, wind slams me back into the ground. I’m back on my feet in seconds, hurling a streak of energy at it. The demon simply holds up a hand and the energy is blown off course, forcing the audience to duck, awestruck. I’m not sure how many of them have actually seen me use my magic before.

“Seriously, why are you here?” I ask. “Don’t royals have anyone to beat up around the palace?”

No response, just another blast of air in my direction. Can’t be too powerful of a royal if this is all it can do. 

But strangely enough, instead of trying to hurt me, the demon simply keeps trying to knock me to the ground. Why? 

Instead of standing my ground, I let the next gust knock me flat. The crowd boos. The demon walks over. “Can’t you fight better than that?”

I don’t answer, taking advantage of its proximity to pull its arm down, pulling myself up and it down. Caught off guard, it falls, and I put a boot on its chest to keep it from getting back up. “Seems I could ask the same of you.”

But once again I don’t get an answer. The audience is cheering around me, clueless to any of our somewhat one-sided conversation. The demon‘s eyes are narrowed at me, full of suspicion. “Who are you?”

“If you’re not going to answer my questions, why would I answer yours?”

Still no answer. Instead, in one lightning quick movement, it reaches up and shoves the fabric of my sleeve up. To the rowdy drunks the mark on my wrist means nothing. But to the demon…It lets go. “You’re—you’re really—”

“What? I’m really what?” I ask in challenge, shoving my face closer to the demon’s.

No answer. Instead it stares at me, eyes narrowed, suspicious and fearful.

 After a few seconds, I lose patience. I shove it down and walk out of the ring, grabbing the sack from a somewhat bemused Kodiak, refusing to acknowledge any of what just happened.

It’s back the next day. 

“Why didn’t you leave?” Sora asks, after briefing me on the fight.

“I can’t,” I mutter.

“But it might figure out who you are.”

“That’s exactly why I can’t leave.”

“Lyric, you need to tell me why you’re doing this. I can’t help you if you don’t.”

I glare at the floor for a moment. “My mother sent it.”

“Anyone could tell you that. Even more reason to cut our losses and get out of here.”

“Kodiak has let me know that that won’t be an option again.”

“He did not.”

“He did.”

“We’ll find a new job somewhere else then.”

“We both know my mother will capture us on our way out of the city.”

A beat, then: “Yeah I suppose we do.”

“So we’re in agreement then?”

Sora gives a stiff nod. “But I swear to our somewhat questionable rulers, if you die I’m going to chase after you and slap you as hard as I possibly can for being an idiot.”

“Love you too Sora,” I say, then summon them back into my pendant.

When I get to the ring, the demon is waiting for me.

“Hello again,” it says, once I’ve joined it in the center. The crowd, larger than last night, is hushed, breathless, unable to quite make out what we’re saying but eager to witness the beginning of the fight.

“Hello.”

“You agreed to fight me again.”

“You’re talkative tonight.”

“Maybe I want answers.”

“Who says you’ll get them?”

Its mouth twitches in some semblance of amusement. “I’ll get them.”

“I like your confidence.” I send crackling energy down my body, across the ground, and up its form, most likely only jolting it slightly, but its hair stands on end. The audience makes awed noises. Magic isn’t something everyone sees on a daily basis. 

Well, most people.

“You think energy is powerful?” it asks me.

“So far all you’ve shown me is a few gusts of wind, so I wouldn’t be talking.”

The demon knocks me flat. It walks over and stands over me, a glint in its eyes. “A few gusts of wind?”

I electrocute it with all the strength in my body. “Yeah, something like that.”

The glint is gone as I get up, weight on my toes, ready for anything. “How did someone like you end up here?” it asks, then throws a punch. I dodge and land a punch in its side. No armor today. Interesting.

“Why would I trust a demon with anything about me?”

I dodge the wrong way and it knocks me to the ground. “Why wouldn’t you?”

I yank it down with me, using it as leverage for me to get back up. “Oh I don’t know, maybe because your kind took over, established a lawless government, and currently acts with the least amount of morals of any creature I’ve ever met.”

My kind? You’re one to talk,” it says from the ground as the crowd hollers at it to get up or give in.

“You don’t know me.”

“I know enough.”

The next thing I know it has me wrapped in some kind of wind cocoon and I can’t move an inch. It gets up and right up close to me, inspecting my face. 

After a moment―”What’s your name?”

I stay silent for a few moments, squirming against the invisible restraint, but then, “Lyric,” slips out.

The glint returns. “Karel.” Then it steps back and throws something on the floor. When the smoke clears, it’s gone.

Cheater.

The crowd agrees with me and I grab the bag from Kodiak.

“Lyric, no. He’s cheated twice. And you told him your name.”

“It’s not my real name. And I’ve gotten the money both times.” 

“That doesn’t mean you’ll get it again. It’s playing at something larger,” Sora protests.

“Of course it’s playing at something larger. Mother isn’t an idiot.”

I get an eye roll for that. “But she’s not unbeatable.”

“Maybe.”

“So…”

I smile. “I’m still fighting it.”

“Lyric…”

“Don’t worry so much, I have a plan.”

Karel doesn’t look the least bit fazed by all the booing that’s coming from the audience today. They don’t like cheaters. I could’ve told them it was coming though. Haven’t they ever met demons before?

“You’ve cheated twice,” I point out. 

“You’ve gotten the money both times,” it says, arms crossed.

“Why do you think I’m here right now?”

“Yes, we both know what matters most to you.”

I raise an eyebrow. “Oh yeah? Well then, if money matters the most to me, what matters the most to you? Cheating your way out of a fight? Why are you here? And why do you keep coming back?”

“Do you really need the answer to that question?”

“Would I ask if I didn’t?”

All I get is a smirk as the audience clamors for us to start already.

I anticipate the first blast of wind, but get buffeted by the second. 

“These fights are getting a bit repetitive don’t you think?” I ask, ducking a punch.

“The audience sure seems to think so,” it responds, dodging out of the way of an energy blast. Indeed, the cheering was more muted and I could swear the bet numbers were down. 

“Kodiak isn’t going to let these fights keep going like this,” I mutter to myself. “He’s going to want more variation to keep the crowds up.”

“Then I suggest you figure out what I’m up to before our fight ends today,” it says. “Or are you just going to rely on your little ghost?”

I’m not sure how it knows about Sora but I don’t acknowledge that. “How am I supposed to find out what you’re up to when you won’t answer my questions?”

“A question for a question then.”

“How am I supposed to know you won’t leave once you’ve found out what you’re digging for?”

“Who says I’m digging?”

“I do,” I say, panting slightly. “Why are you here?”

“Family issue. Why did you break your policy to fight me?”

“Call it a whim. What happened to make you fall from grace?”

“Who said I fell from grace?”

“My ‘little ghost’ as you put it.”

“Hmm.”

All of a sudden it pauses, eyeing me. The booing resumes full volume. “Why did you leave?”

“Leave where?” I ask, feigning confusion. My pulse skips. 

“You know where.”

“Do I?”

“Oh please. You can’t expect me to believe I’d fall for your whole thief, underground fighter charade.” It steps closer to me, eyes narrowed. I clench my fist, energy building in my palm. The audience goes quiet, perhaps sensing the unusual tension in this fight. 

All of a sudden Karel grabs the chain around my neck. “My mother was the one to give this to you, Calyra. Don’t think you could rewrite your history so easily.”

“Maybe not,” I hiss. “But I can rewrite my future.” It glares at me. “I know they’re using you. Did they tell you the reason I left?”

It doesn’t answer.

“I thought so.” I grab it by the collar, pulling it close enough it’s the only one that can hear me when I hiss, “You tell my mother I have no interest in being heir. You be heir for all I care. Just leave me alone.”

“Then why did you pay attention to the note she sent? Why’d you agree to fight me?”

“To send a message you idiot. And the money. I hope you didn’t think it was anything more noble. Or the exact opposite of noble considering what you want me to go back to. I mean, please, do you really care if I come back or not? We hadn’t even said three words to each other before.”

The look in Karel’s eyes proves I’m right. 

“You won’t be seeing me again,” I say, backing up slowly as Kodiak begins to walk over to either end the fight or restart it.

Karel takes a step toward me. “Maybe not. But your family will never stop.”

Sora was probably right. I shouldn’t have fought this one. Allowed it to fuel the fire that keeps them searching for me. 

I don’t respond, turning my back on my opponent. It is a clear sign and the audience picks it up clear as day. Some even gesture wildly at Karel, for him to attack while I’m not looking at him. When the “boo”s resume I smile to myself and step out of the ring, facing Kodiak. 

“I’m done with that one.”

“Good,” he says. “The audience is too.” A beat. “You’ll be back tomorrow for your usual?”

I nod and walk away, already spotting Sora’s flickering form in the corridor. I’m going to get a talking to but they’ll help me stay hidden. Just like they always do. 

I should have added a reason I don’t fight demons. They’re rich, they’re arrogant, they always cheat, and I want nothing more to do with them.