Withering Dreams

Written by María Juliana Ramírez Cabal

The wind, a composer of symphonies 
And Trees, pale actors in a drifting scene
Freedom followed me, an epiphany
My companion, wise-not, chasing lost dreams

We laughed at fear, no Tartarus in sight
Earth’s solid embrace, providing a hand
Oh right is the night, no light-damaged flight
There was no given, no lover so grand
A breath-taking view, the empire of lights
A safe haven, a cloak to all the land

But even trees must wither, fade, and die
Hide from the ugly truth and never fly

Tearing down my shelter, innate neglect 
I come back to the world, full of regret

Hungry Ghost Part 2

Written by Holly Wilcox Routledge

It was thirty minutes to eleven by the time Lydia, my front office manager, told us that we could start printing out our paperwork and prepare for the end-of-shift handover. It was finally quiet; there had been something going on near Esplanade that had drawn most of our guests out of the hotel for the afternoon and early evening. It had been about six o’clock when the first trickle of people started to make their way into the lobby, some choosing to go to the elevators, others going to the bar where their voices could be heard, echoing amongst the marbled walls, slowly going up and up until eight, when it looked like the vast majority of the people we had in-house had returned. Laughter and chatter boomed from the hotel’s bar and restaurant, heels clicked against the floors, tinny slips of music and audio floated over from where someone forgot to turn the volume down, so that at one point, if anyone came over to the desk, we almost had to shout at them to make sure they could hear us. 

It wasn’t like we would ever actually shout at a guest, however. It was hotel policy not to, regardless of whether or not they deserved it. The hotel was a luxury hotel, located neatly in the Marina Bay Sands area, only a short walk away from the Merlion and the harbour, and connected well to public transport. As such, it held itself tightly to the corporate standards for a luxury property. We had to address a guest by their first name exactly three times during the check-in process—and never any less, unless you wanted corporate sending you a tersely worded message asking why you were unable to provide a loyal guest with the service fitting our establishment. All the girls on staff had to wear chiffon scarves, done in such a way that the logo of the hotel could be visible to the guests over our computers; and the boys had to wear plain black ties, with a metal tie-pin depicting the logo placed exactly above the fourth button of their shirt, and if the pin was too far up, or too far down, or slightly wonky, you would know about it quickly. 

The hotel had a healthy rotation of around one hundred to one hundred thirty people per night on average, though the number dipped or swelled during certain times of the year. During busy periods, like the grand prix, or whenever big artists came through, we could easily be fully booked out, night after night, and then still have a steady turnover rate, with barely any time to breathe and let things relax; though, then again, with our location, that was unlikely. The building was constantly busy, with people always present, whether they were staying in-house, attending one of our three restaurants or two bars, or having high tea in the lobby. Energy lingered long after people left—in the lobby’s marbled floors, the carpeted lounge with its plush sofas, amongst the long hall that made up the biggest of the restaurants—until even the moments of stillness carried their own weight. 

Now, at least, there were a few stragglers lounging around on the sofas, cocktail glasses and beer bottles on the tables in front of them, voices low, and the last few members of the cleaning staff were carefully going over the lobby and lounge, vacuums strapped to their backs as they patrolled the room. A trolley containing cleaning equipment and supplies hung near where the lounge carpet ended and the white marble of the lobby floor began, the large yellow bag that contained dirty linen and other fabric items bulging. Everyone was getting ready to hand the hotel over for the night.

I’d spotted a dream wandering down the foyer staircase at around nine o’clock, sliding between people as they made their way up and down, before slipping away up the walls toward the ceiling. No doubt if I stuck my head over the desk and looked up to the ceiling, I’d find it there, clinging to one of the fan blades. Normally, I wouldn’t be seeing any dreams at all, given most hotels had the usual blessings and prayers performed each year to ensure everything was kept in order, but lately, I’d started to see one or two. Not a cause for alarm, certainly, but not a good look for a hotel providing luxury service. 

Then again, it was August. Maybe it was just this time of year. 

Next to me, the printer huffed to life and began to whirr out a pile of paperwork. Jac was leaning against the desk with a pen, a pile of paperclips and a sheaf of papers, her pen tip tracing over details. I eyed up the empty, open-air desk of the lobby and cracked my neck, rubbing a palm against the juncture where my neck and shoulders met. 

Jac winced. ‘Aiyah. That was damn loud.’ 

‘Sorry, I haven’t been sleeping well lately.’ 

‘Ah. Sorry to hear.’ She turned to her computer, her face suddenly awash with blue. ‘Nightmares again?’ 

‘Yeah.’ It was easy to pass off the unease I had around this time of year as just dealing with nightmares every other night. Besides, I didn’t feel like blabbing about personal problems, ghostly or otherwise, to coworkers. ‘I think it must be something I eat before going to bed.’ 

She kissed her teeth and shook her head. ‘You shouldn’t eat anything before bed. Eat in the morning.’ 

‘I’ll see.’ I pulled up my account on the hotel’s operating software and clicked through to my reports for the shift. There hadn’t been many rebates or refunds issued that day, thankfully. At least the night team wasn’t going to need a detailed list of things to correct overnight. 

Jac looked up and scanned the lobby. ‘Quiet. Finally.’ 

‘I know.’ 

‘At least it keeps us busy.’ 

‘Yeah, yeah. Do you know what was happening tonight?’ 

‘Eh. Something must be on at MBS.’ She looked back down to her screen. ‘Or people going to Gardens.’

‘People always go to the Gardens,’ I mumbled, and watched as the dozens of pages of my report popped up. I scrolled through. ‘Are you done with the printer?’ 

‘Yeah.’ She pulled out her paperwork and began sifting through it. ‘Go ahead.’ 

There was only one printer to be shared out at the front desk at the moment; there were two for the four computers we had stationed across the desk, but the second was down and it was taking forever to get IT to come in and organise it. 

I clicked through my report tab, opening up the correct links and editing the parameters to make sure I had all the information required to make sure the report matched up to my shift, selected print, and waited for the printer to whirr into action. There was already a small list of things I was going to have to go through with the night manager regarding guest experiences for the day, and I didn’t want to go any further than what I had to. The majority of the time, staying longer than I had to after my shift ended was a neutral feeling, bordering on irritating. I clocked in, did my work, and then left when my designated hours were up. But when it came to August, staying on longer only pissed me off, and every extended conversation I was forced to have with my coworkers only served to annoy me further until I was snapping my replies and practically gnashing my teeth to get out. 

As far as I was concerned, all I would be doing was delaying the inevitable. Why bother sticking around, trying to gossip and chat with people I would be seeing the next day and the rest of the week? There was nothing to be done on nights like these. It wasn’t like I did anything after work either—all I had to look forward to was dinner, maybe a drama, and then sleep. Over the years, I’d tried all sorts of tricks so that I could sleep through the nights without ever returning back to that place, but it never worked. There was zero point. 

It was never their fault, of course, and I knew, sulkily in the back of my head, that they had no idea what was going on. I knew they didn’t deserve how sharp I became with them, or how direct I was with what needed to change over the shifts to provide better service, but I didn’t feel particularly bad about it. It was better to keep coworkers at an arms length. 

There was the soft whisper of paper sliding on top of paper, before the machine whirring slowed, gave a last huff, and came to an end. I reached down to grab the reports before giving them a look-over. 

Jac said, ‘You doing anything after work?’ 

‘Nope.’ I eyeballed the negative postings. ‘I’m going home.’ 

‘Where do you live again?’ 

‘Near Chinatown.’

‘Ahhh. Expensive, issit?’ 

‘Yeah.’ I flipped through to the third-party payments. ‘Sometimes.’ 

‘Is that why you work all your hours?’ 

‘Sure,’ I said, only just paying attention to what she was saying. Her tone buzzed just beneath her words, but I couldn’t be bothered to try and investigate it. 

Jac tutted, but when she spoke, it sounded like she was smiling. ‘You must get a good paycheck for that.’ 

‘I do indeed.’ I stapled the report together and gave a quick look through the desk drawer.

‘Do you send it back home?’ 

‘Nah. I keep it all for myself.’ I shut the desk drawer and turned to go straight into the back office before Jac could ask me anything else. Or, rather, before she could ask me the inevitable question that always followed whenever it was implied that you sent pay back home. 

Prabhat was already leaning against the duty manager’s desk when I walked into the back office. He held a plastic bottle of coffee, nodding to something Lydia was saying as she stood in the doorway to her own office. The bottle was glistening with condensation, droplets running over the back of his hands, and he kept having to hold it with one hand so that he could dry the other on the knees of his work trousers. It was strange to see him this early, in uniform no less. 

Lydia caught sight of me with my paperwork and straightened up. ‘Paperwork?’ 

‘Yes, ma’am.’ I walked over to hand it to her before sitting down on the edge of the desk. 

‘Any rebates or negative postings?’ She asked as she flipped through the pages, pulling a pen out from behind her ear. 

‘None for today.’ 

‘Good job,’ she murmured, eyes darting across the page, her pen tip trailing behind. ‘It was busy this afternoon, you did well handling everything.’ 

‘Thank you. It’s going to be busy for the rest of the week, I think.’

‘Because of the school holidays?’ she asked, signing something at the bottom of one of the pages. 

‘Yes. I don’t think anything else will be going on this week beyond that. The next big concert is going to be happening in early September,’ I said. 

‘Do you know who?’ 

‘It’s a K-pop group. A girl band,’ Prabhat said, tossing the bottle between his hands. ‘My girlfriend wants to go.’ 

‘Huh, I see,’ Lydia said, sounding like she wasn’t paying any attention. She signed down at the bottom of the page she was looking at, then another, then flipped the final page over. ‘Alright. Done. Put this away for the night, team.’ 

The file organiser where we dropped our financial reports was nailed to the wall near the communications desk, just below the CCTV monitors, and was brimming with paperwork for everyone who had been on shift for the day. I could make out multiple third-party payment forms held together with paperclips, Lydia’s signature a ghostly scribble through the pages, and dropped my paperwork in. 

‘Hey.’ A tap came at my elbow, and a sheaf of papers wafted up out of the corner of my vision. ‘Can you put mine in there too?’ 

‘Okay,’ I said, without even looking at the voice’s owner, plucking the paperwork out of a hand and dropping it into the organiser. ‘No reversals today?’ 

‘No. The phone was ringing constantly this afternoon, I didn’t get the chance to go over any payments or requests like that.’ 

Prabhat groaned from behind us. ‘More work for me, huh?’ 

‘It’s only because Aiping likes you so much,’ I said dryly, looking down at Aiping’s flushed face, the ruffled, frizzy-looking hair. ‘She wants to make sure you have something to do on shift tonight, so that you won’t be so bored.’ 

Aiping ran a hand through her hair—probably for the nth time that night—and sighed, visibly deflating in her chair. ‘No, lah. It was too damn busy this shift. There were so many requests for room service.’ 

‘There’ll probably be even more overnight, then.’ I leaned back against the communications desk and looked up to the CCTV and the empty lobby that appeared, captured in electronic squares. ‘Have fun, Prabhat.’

‘Don’t remind me. What else is there for handover?’ 

I pulled out my phone and started to go through the list I’d made in my note-writing app. ‘We had several complaints regarding AC and fans in rooms, as well as phone connection issues. Everyone knows that maintenance has already left for the night and they’ll be coming in tomorrow morning at six, so make sure when Hasim comes in he knows there’s six rooms he has to see first.’ 

‘Which ones?’ 

‘I’ll give you a list, I have a few other rooms to give you as well, but they’re not for maintenance issues.’ I looked down at the notes. ‘We had last-minute requests for cots and rollaway beds for the next three nights for four different rooms, so if anyone makes any requests tomorrow morning and they’re on a new booking and don’t have anything down in the requests—’ 

‘Let them know it’s subject to availability.’ Prabhat nodded. ‘Anything else?’ 

‘Not from me. Aiping, if you have anything, let him know. I’m gonna ask Jac. 

Aiping nodded and turned, launching into a list of requests and issues she’d had on her end. 

Jac was half going over her paperwork, half eyeing up the lobby as I walked out onto the front desk. 

‘We’re doing handover. You got anything for Prabhat?’ 

‘No. Did you tell him about the cots?’ 

‘Yes.’ I eyed up her paperwork stash. ‘Don’t forget to drop your paperwork in the folder for night audit.’ 

‘Will do.’ She snapped up her collection. She seemed closed off compared to before, her actions quick. I couldn’t tell if my previous comment had hurt her that much, or if she was just in a rush to go home. 

Either way, I turned back into the back office, where Prabhat seemed to be anticipating my return, judging by the way his eyes sharply turned onto me the second I stepped in, even as he was facing Aiping. 

He gave me a nod and then turned to face me. ‘Evening, boss,’ he said, unscrewing the cap of the coffee. ‘You got the list of rooms?’

‘Oh, yeah. Sure. One sec.’ I picked a piece of scrap paper out from the printer and started writing the numbers down. ‘How is it outside?’

He took a sip. ‘Busy. How are you getting home?’ 

‘MRT.’ 

‘Wah lao eh, it’ll be damn busy there.’ He set the coffee on the DM desk and slid into the seat. ‘Where do you live again?’ 

‘Near Chinatown.’ I side-stepped Aiping, who suddenly got up to make her way towards the corridor that led towards the back-of-house stairs, phone in hand. She was probably going to call her boyfriend to pick her up. ‘My housemate works near there.’ 

‘She can’t drive you?’ 

‘She doesn’t have a car.’ 

‘Do you have a car?’ 

‘Nope.’ I dropped the room list in front of him. ‘And I can’t drive anyways.’ 

He shook his head again and kissed his teeth. ‘Kids these days.’

At least she was going to be out of the house. She worked nights, stuck to her own routine, with her own friends and goals and idealisations. Occasionally, we intersected on days off, but nothing more than a nod across the kitchen, or small talk about the weather. It was just the way I had wanted it to be for the last two years whilst I worked here in Singapore. 

‘Sure. Anything else you need from me?’ 

He picked up the rooming list and eyed it up. ‘If that’s all I don’t think so. You covered everything in the handover, didn’t you?’ 

Well, alright then. There was no point sticking around if I could go. They certainly weren’t going to give me anything else to do when I was due to clock out, and this place didn’t do overtime. Hell, it didn’t even do it by the hour. 

‘Awesome,’ I said, going to where my water bottle was tucked away near the boxes of pens, and snatched it up. ‘Have a good shift.’ 

I headed straight down to the back of house stairs, not even bothering to check if any of them were following after me. 

The night air was cool as I walked out of the staff entrance, tugging my rucksack over my shoulders. Surprisingly so—I had been expecting a brick wall of humidity the second I exited the air-conditioned premises. A few members of the kitchen team milled near the staff exit, smoking as the end-of-day procedures in the restaurant continued, the main lights of the restaurant flooding out over them and switching off one by one, until all you could see were dark figures flitting amongst the large windows like moths.

Come, What May

Written by Haiqa Mariam

The lives we play behind the mask:

who knows what secrets we conceal,

what answers we offer to those who ask,

where we abandoned our pride, unreal.

It is ironic: they see only what we show,

turning the world into a vast stage.

Behind bright smiles, strangers grow,

like characters upon an unread page.

The ones who shine with radiant light

are often consumed by untamed pain;

the children whose eyes once gleamed so bright

now bear a heart imprinted with stain.

How long can we sustain a heart of stone?

How long can we blame others when the foe is our own?

How long must we battle this rage unknown?

How long persist in this endless low?

Yet even when the heart seems near its end,

another page turns, another chapter begins.

What it holds—calamity or contentment—

only the Lord knows what fate intends.

Still, with hardship comes a promised ease,

and where faith endures, triumph is near.

So what is austerity, when at last we seize

a victory etched beyond all fear?

in the perspective of a plant who sees its owner as its mother;

Written by alarminglytired

T.W.: Mentions/Allegory to sexual assault (only the aftermath)
I stand anchored in this space, my leaves stretching toward her warmth, my mother. She waters me daily, yet every droplet carries the weight of her bitterness, of a choice that she was forced to make. I taste the sharp bite of antiseptic on her fingers, the cold, sterile light that hums overhead; too bright for my leaves. She hums softly to me, but beneath those gentle notes, I detect the muted sorrow that seeps from her very soul, a pain that echoes through my roots. Each lullaby, meant to nurture, feels like a piercing wound to my tender form. I am meant to thrive in her care, and yet I am starving. 

I don’t blame her in the slightest, though. She wanted to be a doctor. She wanted to help people and be their beacon of hope in these dark times. But other people are greedy. Other people are selfish. They left her to throw away the articles of fabric she was wearing, to scrub her skin multiple times to try to purify her transgressed world. But it remains. She knows it is still there, for I exist. 

Since then, I learned to twist and bend to her unspoken will, even as I feel the shadow of decay that encircles her. It clings to my fading leaves, binding us together in an unbreakable bond of suffering. As I sense the energy ebbing from my core, I feel her embrace me. Those hands, familiar only with anguish and tainted by despair, cradle me, as gently as she can. Her hands shake uncontrollably, and her breath quickens, but she holds me. I wish she knew I did not blame her in the slightest for reacting this way. It is not me she detests, not me she wishes desperately to rid all trace of. I wish she knew that I did not blame her in the slightest. I wish she knew that. It was in that moment, for the first time as a plant, that I wished to be human. Because it is here, amidst our shared pain, that I long to smile.

Bring Me Home

Written by Gi Buelow

When I die, 
I want to be returned to the Earth. 

But I don’t mean some stuffy, wooden coffin
that’s meant to last forever. 
No, 
I want a coffin that will rot along with me. 
I want it to degrade alongside my body, 
and in our mutual deaths 
I want flowers to bloom and grass to grow. 
I want to be my own little garden. 
I want to be a memory in a fruit tree. 

I want mother nature to hold me, 
caress me 
like she has my entire life. 
I want to be one with her.

I want her to protect me like I have tried to protect her—
even if I have failed—
because my earth is dying. 

Let me go with it. 

I want the dirt to be perpetually stuck in my bones, 
like it was my fingernails. 
The only way to get it out, to carve 
straight to the end of the white 
until there’s nothing left. 

Don’t put me in a place that will keep the butterflies 
from landing on my blooms 
like they’ve landed on my shoulders. 
Don’t put me in a place where birds 
can’t swoop down and pull worms out of my dirt 
like I did when I was younger.

Let my flowers fade in winter, 
just to grow back in spring. 
For even in death, 
I shall inevitably be a terrifying cycle 
of devastating endings, 
and beautiful beginnings.

Because the earth is my home, 
and when I die, 
I want her to be returned to me.

Rain-from an Unconventional Solitude

Written by Subhashree Pattnaik

It’s late at night and sleep doesn’t seem to be hovering around in my room. But rain sure has replaced sleep. The sound is too tempting to not indulge in solitude and sit in a corner, where I can see the drizzling waters in orange light and hear it quenching the land’s thirst. It’s not romantic to watch rain from a distance. It’s not something intrinsic either that moves whatever could be moved inside me. It’s just a stillness and a monotonous solitude that becomes an action of self-reflection. 

There is almost no one in the road except for the trees standing at the sides. It’s not a lonely sight nor does it haunt me. It is in fact something terribly real. Why? There is such a space inside me perhaps. Can I stand there? No. Do I wish to? Maybe. It’s universal. I am not lonely now, but I once was. Reality keeps fluctuating like that. I wish to make coffee and have it in the rain. But I can’t. Because one way or the other, I do need to sleep. The next day won’t be as still as this night. 

A solitary rain spectator as I am now— I think of things and times passed. The space outside looks like a void in which I feel consumed. Despite being away from the drops,  in shelter I can very well feel what it’s like to be under the blurred streetlights. What I’m going through is not really remembrance nor sweet nostalgia of days passed. But, a recollection of things that tend to leave me incomplete still, the collective accounts of what could have been and what could be. 

I think of the times I could have been kinder. What could it have cost me? What could it have made of me then? And all the times I wasted my kindness like flowers plucked for momentary pleasure. Why? My kindness wasn’t meant to be butchered like that. Butchered. Too intense a word for an abstract like kindness. I have always been this intense for everything around me. My anger, my sadness and the casual fits of annoyance. How? Whatever had made me angry doesn’t seem much of a deal now. My sadness seems to have settled inside me like dust in a closed store. I do get annoyed but perhaps that too will become a future observation or self-reflection. 

It’s not a gesture of guilt, nor regret. So, then why must one always revisit what could have been? Is it a consolation to who you are presently? Or a comparison? Am I different from who I used to be? And does it even matter now— who I used to be? Perhaps it does— to the void inside me. The void inside me that I can see outside from my solitary corner.

What We’ll Remember

Written by Zoe Younessian

you can’t remember the last time 
you saw something ugly, 
only lime-colored turf with plastic pointing
the right ways. you saw elms in a row with
the bark painted on. you watered fake plants
and missed the real ones: daffodils erupting
like daggers, the roughness of a cat’s tongue.
you scolded the sky for the prettiness of
sunsets. pollution a thousand floating dahlias.
the forecast responded, that’s just the way
things are. you know everything burns more
beautiful.

Meditations on Taylor Swift

Written by Kevin Jin

As we continue along the winding road of writing mastery, we must be mindful that the enemy is often far closer than we think. The eager novice (myself included) tends to gorge themselves on the buffet of writing advice and opinions available online, swallowing craft books, party-packs of anecdotes, maxim canapés, and junk food platitudes alike. This, like any exercise in gluttony, accumulates fatigue. The change is slow, but by the end the budding writer is tiptoeing around an abundance of red tape just to produce a single sentence. They measure every word, paragraph, and story against so many different guidelines that their story is barely perceptible beneath the noise, confusing technical proficiency for quality of fiction and mistaking the trees for the forest. I only recently put my pack down and realised how much of this baggage I had accumulated, and it was all thanks to Taylor Swift. Not the singer though—rather Hugh Behm-Steinberg’s contest-winning flash fiction piece of the same name. “Taylor Swift” was Remy’s ratatouille to my Anton Ego. Judge Steve Almond of the 2015 Barthelme award put it best when reflecting upon his selection of the story: 

“Full disclosure: I tried quite hard to resist choosing ‘Taylor Swift’… Why? Because all the stories I received were worthy and many were more technically ambitious when it came to language and form, …because I feared selecting a story entitled ‘Taylor Swift’ might speak to my literary deficiencies, or plain old drooling idiocy. But what the hell. In the end, I just wanted to read this thing again and again.” 

 That last line, obvious though it may be, touches on a simple truth about writing that is too easily forgotten. Good writing is subjective, but good fiction is reliant on one thing: the story experience. Somewhere amidst the ocean of exercises to pare sentences to the bone and compose witty wordplays, our idea of good writing morphed into a qualitative assessment. Good fiction “should” be deep and verbose, experiment with form, and say something about the human condition. It “should” revolutionise your life and leave a mark on the cultural consciousness. Almond’s conundrum is a symptom of this: technically ambitious writing feels like it ought to be “better”, but as “Taylor Swift” shows, your writing just needs to be fun and have spirit.

Almond mentions this when he talks about the story’s heart and love: “It extradites us to a realm of strange wonders and incantatory rhythms in which we are forced to acknowledge that the heart and its deranged pursuit of love cannot be disabled or even diminished by our neurotic defenses.” And boy, is he right about the neurotic defences. Ever the critic, I too had a knee-jerk reaction against the title, ready with all manner of sarcastic comments and weaponised feedback to tear the story apart, but I too was won over by the simple, funny, and above all, pure story that I had read.

“Taylor Swift” is a ridiculous premise, drenched in humor, and packaged neatly at 500 words on the dot, yet it is far more than the sum of its parts. It’s a pure fiction story in the sense that it doesn’t try to do anything but make you laugh and transport you to a fantastical world where Taylor Swift can be bought by the dozen. By nature of being a flash piece, it’s definitely been combed over meticulously and trimmed of unnecessary words like the many adages say to do, but the key thing is that at no point does the voice feel curated.

The story starts sentences with conjunctions, skips them altogether sometimes, and does away with quotation marks entirely, but these transgressions don’t matter at all. The wisdom imparted by the Elements of Style, On Writing, and other books on the craft have their place among the chorus of voices that can refine yours, but when you approach them as gospel your writing loses its earnestness. The output is homogenous in the same way ChatGPT can write a perfect, technically sound story, but it will never be able to move people in the way that a child’s scrawl can. Behm-Steinberg’s desire to take the readers of “Taylor Swift” on a journey is so dominant that even if the words are tinkered with, the story’s voice remains uniquely entertaining and its own. With its laid-back prose, the pocket-sized piece effortlessly surpasses my stuffy, meticulously reworded works, and that forces me to reflect. I look upon my own stories and see a mosaic of my influences, but can I find my own voice within my work?

“Kill your darlings” the old masters say, and the eager apprentice hacks their work apart. “Taylor Swift” has become a north star for me in terms of how to preserve the core of a story, and a wake up call for how stiff my writing has become. It’s so easy to get lost down the rabbit hole of the craft, which warps your perception of what great writing can and should be. “Taylor Swift” is a testament to the fact that, at the same time, writing isn’t that deep. There is a simple pleasure in reading a story that is merely here to entertain, and similarly, causal writing can—and should—be fun to do. If it’s not, then perhaps you’re also in too deep. Put your luggage down and rest for a while. Come gaze at the forest in all its beauty.

The final chapter

Written by Vanshika Srivastava

I walk down the empty hallways
Glide my hand across the doorway
Where there was once welcomed laughter and joy
And smiles that would last all day

The turns of the lips in the pictures
Still engulfs the tales
With people unaware of
The ending awaiting just beyond
Just before the credits roll in

I once watched that candle glimmer
With hope and poise
Now it the recalls how alone i would feel
When i face death in the eye
I once used to recite my stories
In a room full of awaiting claps and cheers
But now, no one cares
If the book ends, or the final chapter is that of fear

Chapters to Love

Written by Tia
T.W.: mention of the word ‘Blood’.

Time has been passing since I can last remember…

I have remained stagnant for quite some time now. Within these four walls of cement and brick, I witnessed myself succumb to numerous routines, heartbreaks, rhythms, chores, choices, and transitions. 

But none transformed me like an enzyme called Love. 

I remember sitting, waiting, and hoping to see light once again…

Pain felt like the closest confidant of my solitude. The zeal for life was withering away. Blindness was painting itself over my already clouded vision, and breathing felt like heavy strokes to suck in air. 

Love was watching me wither away. But it could not enter until I opened the door…

To be frank, residing in that darkness made me feel as though it was pointless to even look for a door, let alone open it. But I guess, pain has interesting ways of pushing you further. 

Inevitably, I reached for the door handle. Tricky this is, might I add. Because when you swim inside an ocean of dark and believe it to be your space forever, you forget the existence of light. More so, you are gaslit to believe that the light at the end of the tunnel is not for you. So, when I placed my hand on the doorknob, I was terrified. 

Terror made me make Love wait…

My fears convinced me that Love would lose its patience and leave me behind. But the still-existent humanity in me, albeit sparingly, decided to give Love a friendly chance. So, I opened the door, enough for it to make a crack- enough to see the stranger knocking on my door. Enough of a crack to spy for ill intentions from the other side.

I was preparing to be ‘inevitably left behind’. That was my usual after all, you see. What magic can occur now?

But the vision of light enthralled me. I felt instantaneously starved. 

A hidden hunger crept in that I never realised even existed…

The existence of my closest confidant, Pain, began to make sense. I never knew of its identity or origin.  But upon the incoming of light, darkness began to take its figure and body. And now I was beginning to distinguish the difference between light and darkness. I was sceptical and guarded. It is not that I would be saved, would I? And what does this door even entail? I didn’t know. So, I was cautious. 

But upon the sight of Love, my hunger grew…

I was beginning to feel greedy to leave my old ways behind. A hunger I could not make meaning out of, but I was certain it would change me. 

Was I ready for change? No. Was I ready for a change I had no control over? Absolutely not.

But this is the trap of Love, you see. The kind of trap one needs. 

The kind of trap that was going to make me feel…human perhaps…

The kind of trap that changes survival to living life.

But was I ready? No. However, this light felt warm. So, peeking through the crack of my door, I asked, 

What’s it to you, stranger?

Why have you arrived here?

What do you want?

I heard giggles. The warmest of aura enthralled me with its reply. 

Would you let me in, please?

I promise in my name that I will not hurt you. I just want to be your companion. 

I asked, 

What is your name?

Love. My name is Love. 

I feebly said alright and let this unknown entity in. I sensed safety, and it would be diabolical if it attacked me immediately after its promise. And quite weirdly enough, I did not want to question this trust that was building. I was hungry after all.

Mortally, time went by. I was still inside these four walls, and I grew by age. 

But I was finding myself melting at its presence.  As I did, I was also testing Love of its loyalty. 

Did you really mean it when you said you would stay?

You are asking me this again, dear? Yes. Yes, all over again.

Time passed. 

Do you wish to stay as my companion?

Yes I do. I do not doubt it.

Time passed.

Do you?

I would never say otherwise. 

I still was not convinced. 

You have not seen the worst of me, Love. 

And I heard,

What could you do that would possibly make it as bad as it is in your imagination?

 I showed. 

Meticulously, I displayed my thorns. I knew they were going to make Love bleed. 

And they did….

Blood spilled all over. It hurt, and I knew it hurt. Perhaps I was being evil. Indeed, this is evil. But I was proving what was in my imagination. I was doing the worst. The worst of what I saw. The worst of what I felt. The worst of what I knew. I was doing it.

See? This is the worst of my imagination.

Love wailed. And it was louder than the looming silence of darkness, but brighter like the light. It hurt my eyes hearing Love wail.

It hurt me….

Are you stupid?

I was asked. 

Are you seriously so stupid? You thought you would use your fears to drive me away. Do you really believe that the monsters in your head would convince me to leave you?

Y-yes.

I replied. 

Do you not realise that they were crafted to keep you entrapped in this darkness? They do not want you to leave this space ever. Even if it means turning yourself into a monster when you are not. 

I was left stunned. 

I….was never a monster?

No, you were never and are never a monster.

Love heard my thoughts too…?!

However, you will be accountable and answerable for the blood I have spilled. 

To whom I thought.

Not to anyone else. To yourself, solely. And may I warn you. It is perhaps the most daunting to look at your own self in the eye. But you have to. You ought to, darling.

A firm hit of truth replaced the numbness in my heart. It was no longer just an organ beating with blood. It was turning into a voice that synced with the voice of Love. 

And I began to have no control over the one thing I was sure I had control over. 

Myself. 

Stage 1 was hatred. I was taught to hate myself all my life. I learnt to hate myself because the ways of the world pushed me to. So, the sight of Love’s blood made me respond with self hatred. 

Self-hatred is the kind of burden that is going to pull you down with it. It is inherited and kept in the subtlest of spaces. And then with time, it takes its space all over.

I continued to listen.

You are a beautiful soul who does not deserve to be plagued by the disease of self-hatred. Not only are you going to pull yourself down, but anyone who is dying to love you too. 

Why would they love me?

I asked.

Silly! I love you!
Even after I-

Yes, even after you made me drown. In my blood. Pain made you do it. And I took your pain, so that you never have to drown in your blood, nor do you have to watch someone else drown in theirs.

For the first time in my life, I wailed. 

Like I was being born into this planet again-as though I was my newborn self….